Bibliography

The bibliography is currently limited to studies and editions cited in the portal; it is not meant as an exhaustive list of what has been published about the Libroni.

ANNALI 1885
Annali della Fabbrica del Duomo di Milano dall’origine fino al presente : Appendici. Vol. 2. Milano: G. Brigola, 1885.
 
BERWIN - HIRSCHFELD 1892
Berwin, Adolfo, and Robert Hirschfeld, eds. Internationale Ausstellung für Musik- und Theaterwesen, Wien 1892: Fach-Katalog der Abtheilung des Königreiches Italien. Wien: Selbstverlag der Ausstellungs-Commission, 1892.
 
BLACKBURN 1997
Blackburn, Bonnie J. “For Whom Do the Singers Sing?” Early Music 25, no. 4 (1997): 593–610.
 
BLACKBURN 2000
Blackburn, Bonnie. “Masses Based on Popular Songs and Solmization Syllables.” In The Josquin Companion, edited by Richard Sherr, 51–87. Oxford: Oxford University Press, 2000.
 
BLACKBURN 2001
Blackburn, Bonnie J. “The Dispute about Harmony c. 1500 and the Creation of a New Style.” In Théorie et Analyse Musicales, 1450-1650: Actes du colloque international, Louvain-la-Neuve, 23-25 Septembre 1999 = Music Theory and Analysis, 1450-1650 : Proceedings of the International Conference, Louvain-la-Neuve, 23-25 September 1999, edited by Anne-Emmanuelle Ceulemans, 1–37. Louvain-la-Neuve: Départment d’histoire de l’art et d’archéologie; Collège Érasme, 2001.
 
BLACKBURN 2019
Blackburn, Bonnie J. “Variations on Agricola’s Si dedero: A Motet Cycle Unmasked.” In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Pavanello, Agnese, 187–217. Studi e Saggi 27. Lucca: Libreria Musicale Italiana (LIM), 2019.
 
BLOXAM 1992
Bloxam, M. Jennifer. “‘La Contenance Italienne’: The Motets on ‘Beata Es Maria’ by Compère, Obrecht and Brumel.” Early Music History 11 (1992): 39–89. 
 
BOKULICH 2017
Bokulich, Clare. “Contextualizing Josquin’s ‘Ave Maria…virgo serena.’” The Journal of Musicology 34, no. 2 (2017): 182–240.
 
BOKULICH 2019
Bokulich, Clare. “Meter and the ‘Motetti Missales.’” In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 397–427. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
BOORMAN 2006
Boorman, Stanley. Ottaviano Petrucci: A Catalogue Raisonné. New York: Oxford University Press, 2006.
 
BOSI 2005
Bosi, Carlo. “‘Tant que mon/nostre argent dura’: Die Überlieferung und Bearbeitung einer ‘populären’ Melodie in fünf mehrstimmigen Sätzen.” Acta Musicologica 77, no. 2 (2005): 205–28.
 
BRIDGMAN 1967
Bridgman, Nanie. “Manuscrits Clandestins. A propos du Ms. Rés. 862 de la Bibliothèque nationale de Paris, fonds du Conservatoire.” Revue de Musicologie 53, no. 1 (1967): 21–27.
 
BROWN 1992
Brown, Howard Mayer. “On Veronica and Josquin.” In New Perspectives on Music : Essays in Honor of Eileen Southern, edited by Josephine Wright and Samuel Floyd, 49–61. Detroit Monographs in Musicology 11. Warren, MI: Harmonie Park Press, 1992.
 
BURKHOLDER 1985
Burkholder, J. Peter. “Johannes Martini and the Imitation Mass of the Late Fifteenth Century.” Journal of the American Musicological Society 38, no. 3 (1985): 470–523.
 
CHIU 2017
Chiu, Remi. Plague and Music in the Renaissance. Cambridge: Cambridge University Press, 2017.
 
CRAWFORD 1970
Crawford, David E. “Review of: Thomas Lee Noblitt - The Motetti Missales of the Late 15th Century.” Current Musicology 10 (1970): 102–8.
 
CROLL 1954
Croll, Gerhard. “Das Motettenwerk Gaspars van Weerbeke.” Ph.D. diss., Georg-August Universität, 1954.
 
CUMMING 1999
Cumming, Julie E. The Motet in the Age of Du Fay. Cambridge: Cambridge University press, 1999.
 
CUMMINGS 1997
Cummings, Anthony M. “Notes on a Josquin Motet and Its Sources.” In Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, edited by Jessie Ann Owens, 113–22. Detroit Monographs in Musicology 18. Warren, MI: Harmonie Park Press, 1997.
 
D'ACCONE 1986
D’Accone, Frank, ed. Siena, Biblioteca Comunale degli Intronati, MS K.I.2. Renaissance Music in Facsimile 17. New York: Garland Publ., 1986.
 
DEGRADA 1983
Degrada, Francesco. “Musica e musicisti nell’età di Ludovico il Moro.” In Milano nell’età di Ludovico il Moro: Atti del convegno internazionale, 28 febbraio - 4 marzo 1983, 2:409–16. Milano: Comune di Milano, Archivio storico civico e Biblioteca trivulziana, 1983.
 
DÈZES 1927-28
Dèzes, Karl. “Das Dufay zugeschriebene ‘Salve Regina’, eine deutsche Komposition. Stilkritische Studie.” Zeitschrift für Musikwissenschaft 10 (August 1927): 327–62.
 
DIERGARTEN 2017
Diergarten, Felix. “‘Aut propter devotionem, aut propter sonorositatem’: Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective.” Journal of the Alamire Foundation 9, no. 1 (2017): 61–86. 
 
DRAKE 2009
Drake, Warren. “A Postscript to Petrucci’s ‘Motetti B’: A Closer Look at the ‘Secret Manuscript’ in the Paris Copy.” In Uno Gentile et Subtile Ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, edited by M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, 283–94. Epitome Musical, 2009.
 
DUMITRESCU 2012
Dumitrescu, Theodor. “Who Was ‘Prioris’? A Royal Composer Recovered.” Journal of the American Musicological Society 65, no. 1 (2012): 5-65.
 
EITNER 1900-04
Eitner, Robert. Biographisch-bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts. Leipzig: Breitkopf und Härtel, 1900.
 
ELDERS 1998
Elders, Willem. “New Light on the Dating of Josquin’s ‘Hercules’ Mass.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, no. 2 (1998): 112–49.
 
FALLOWS 1982
Fallows, David. Dufay. The Master Musicians. London: Dent, 1982.
 
FALLOWS 2009
Fallows, David. Josquin. Epitome Musical. Turnhout: Brepols, 2009.
 
FERRO 2019
Ferro, Eva. “‘Old Texts for New Music’? Textual and Philological Observations on the Cycles ‘Salve Mater Salvatoris’ and ‘Ave Domine Iesu Christe’ from Librone 1.” In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 189–218. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
FIEDLER 1997
Fiedler, Eric F. Die Messen des Gaspar van Weerbeke: (ca. 1445 - nach 1517). Frankfurter Beitrage zur Musikwissenschaft 26. Tutzing: Schneider, 1997.
 
FILIPPI 2012
Filippi, Daniele V. “Text, Form, and Style in Franchino Gaffurio’s Motets.” In The Motet around 1500: On the Relationship between Imitation and Text Treatment?, edited by Thomas Schmidt-Beste, 383–410. Turnhout: Brepols, 2012.
 
FILIPPI 2019A
Filippi, Daniele V. “Breve guida ai motetti missales (e dintorni).” In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 139–69. Studi e saggi 27. Lucca: Libreria Musicale Italiana (LIM), 2019.
 
FILIPPI 2019B
Filippi, Daniele V. “Where Devotion and Liturgy Meet: Re-Assessing the Milanese Roots of the ‘Motetti Missales.’” In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 53–91. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
FINSCHER 1954
Finscher, Ludwig. “Die Messen und Motetten Loyset Compères.” Georg-August Universität, 1954.
 
FINSCHER 1964
Finscher, Ludwig. Loyset Compère (c.1450-1518): Life and Works. Musicological Studies and Documents 12. [Rome]: American Institute of Musicology, 1964.
 
FINSCHER 2000
Finscher, Ludwig. “Four-Voice Motets.” In The Josquin Companion, by Richard Sherr, 249–79. Oxford: Oxford University Press, 2000.
 
FITCH 2018
Fitch, Fabrice. “Loyset Compère and the Motetti Missales Cycle ‘Ave Domine Jesu Christe.’” Journal of the Alamire Foundation 10, no. 2 (2018): 293–304.
 
GANCARCZYK – HLÁVKOVÁ-MRÁČKOVÁ 2017
Gancarczyk, Paweł, and Lenka Hlávková-Mráčková. “The Lviv Fragments and ‘Missa L’homme Armé Sexti Toni’: Questions on Early Josquin Reception in Central Europe.” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis. 67, no. 1/2 (2017): 139–61.
 
GASSER 1999
Gasser, Nolan. “‘Beata et Venerabilis Virgo’ : Music and Devotion in Renaissance Milan.” In Crossing Boundaries: Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance, edited by Sally McKee, 203–38. Turnhout: Brepols, 1999.
 
GASSER 2001
Gasser, Nolan Ira. “The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study.” Ph.D. diss., Stanford University, 2001.
 
GOZZI 2019
Gozzi, Marco. “Sequence Texts in Transmission.” In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 157–87. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
Grove Music Online
Grove Music Online – Oxford Music Online, Oxford University Press, <http://www.oxfordmusiconline.com>.
 
HAMM 1960
Hamm, Charles. “The Manuscript San Pietro B80.” Revue Belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 14, no. 1/4 (1960): 40–55.
 
JEPPESEN 1931
Jeppesen, Knud. “Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano.” Acta Musicologica 3, no. 1 (1931): 14–28.
 
KAYE 1992
Kaye, Philip R, ed. The Sacred Music of Gilles Binchois. Oxford, England; New York, NY: Oxford University Press, 1992.
 
KIRSCH 1966
Kirsch, Winfried. Die Quellen der mehrstimmigen Magnificat- und Te Deum- Vertonungen bis zur Mitte des 16. Jahrhunderts. Tutzing: Schneider, 1966.
 
LEVERETT 1990
Leverett, Adelyn P. “A Paleographical and Repertorial Study of the Manuscript Trento, Castello del Buonconsiglio, 91 (1378).” Ph.D. diss., Princeton University, 1990.
 
LEVERETT 1994
Leverett, Adelyn Peck. “An Early Missa Brevis in Trent Codex 91.” In Music in the German Renaissance: Sources, Styles, and Contexts, edited by John Kmetz, 152–73. Cambridge : Cambridge University Press, 1994.
 
LINDMAYR-BRANDL 1992
Lindmayr-Brandl, Andrea. “Gaspar van Weerbeke and the Motet ‘Sancti Spiritus adsit nobis gratia’ (An Analytic Study in the Diplomatic Environment of the Motetti Missales).” Musica Disciplina 46 (1992): 105–31.
 
LOCKWOOD 2005
Lockwood, Lewis. “Petrucci’s Edition of Josquin’s ‘Missa Hercules Dux Ferrarie.’” In Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi. Venezia, Palazzo Giustinian Lolin, 10-13 Ottobre 2001, edited by Giulio Cattin, 391–95. Edizioni Fondazione Levi. Serie 3, Studi Musicologici. B, Atti di convegni ; 6. Venezia: Fondazione Levi, 2005.
 
LOCKWOOD 2009
Lockwood, Lewis. Music in Renaissance Ferrara, 1400-1505: The Creation of a Musical Center in the Fifteenth Century. Oxford: Oxford University Press, 2009.
 
LONOCE 2010
Lonoce, Sergio. “Gaffurio perfectus musicus: lettura dei ‘motetti missales.’” Tesi di laurea, Università degli Studi di Milano, 2009.
 
MAAS 1968
Maas, Chris. “Determinering van Codex 73 uit de illustre Lieve Vrouwe Broederschap te ’s-Hertogenbosch.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 21, no. 1 (1968): 37–45.
 
MACEY 1989
Macey, Patrick. “Josquin’s ‘Little’ ‘Ave Maria’: A Misplaced Motet from the ‘Vultum tuum’ Cycle?” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 39 (1989): 38–53.
 
MACEY 1996
Macey, Patrick P. “Galeazzo Maria Sforza and Musical Patronage in Milan: Compère, Weerbeke and Josquin.” Early Music History 15 (1996): 147–212.
 
MAGRO 2017
Magro, Agostino. “Ancora sui procedimenti di parafrasi polifonica nelle messe di Antoine Brumel. Il caso della Missa de Dringhs.” Rivista di analisi e teoria musicale 23, no. 2 (2017): 165–93.
 
MERKLEY - MERKLEY 1999
Merkley, Paul A., and Lora L. M. Merkley. Music and Patronage in the Sforza Court. Studi sulla storia della musica in Lombardia 3. Turnhout: Brepols, 1999.
 
MGG Online
Die Musik in Geschichte und Gegenwart Online, <https://www.mgg-online.com/>.
 
MILLER 1968
Miller, Clement A. “The Musical Source of Brumel’s ‘Missa Dringhs.’” Journal of the American Musicological Society 21, no. 2 (1968): 200–204.
 
MITCHELL 2004
Mitchell, Robert J. “Musical Counterparts to the ‘Wilhelmus Duffay’ ‘Salve Regina’ Setting in MunBS 3154.” Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis 54, no. 1 (2004): 9–22.
 
NATVIG 1999
Natvig, Mary. “The Magnificat Group of Antoine Busnoys: Aspects of Style and Attribution.” In Antoine Busnoys. Method, Meaning, and Context in Late Medieval Music, edited by Higgins, Paula, 257–76. Oxford: Clarendon Press, 1999.
 
NOBLITT 1968
Noblitt, Thomas L. “The Ambrosian ‘Motetti Missales’ Repertory.” Musica Disciplina 22 (1968): 77–103.
 
NOBLITT 1974A
Noblitt, Thomas L. “‘Contrafacta’ in Isaac’s Missae ‘Wohlauf, Gesell, von hinnen.’” Acta Musicologica 46, no. 2 (1974): 208–16.
 
NOBLITT 1974B
Noblitt, Thomas L. “Manuscript Mus. 1/D/506 of the Sächsische Landesbibliothek, Dresden (Olim Annaberg, Bibliothek der St. Annenkirche, MS. 1126).” Musica Disciplina 28 (1974): 81–127.
 
NOBLITT 1975
Noblitt, Thomas L. “Addendum: ‘Contrafacta’ in Isaac’s Missae ‘Wohlauf, Gesell, von hinnen.’” Acta Musicologica 47, no. 1 (1975): 192.
 
PANTAROTTO 2019
Pantarotto, Martina. “Franchino Gaffurio maestro di cantori e di copisti: analisi codicologico-paleografica dei Libroni della Fabbrica del Duomo.” In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 101–38. Studi e saggi 27. Lucca: Libreria Musicale Italiana (LIM), 2019.
 
PAVANELLO 2009
Pavanello, Agnese. “Il ciclo di mottetti ‘In honorem sancti spiritus’ di Gaspar van Weerbeke: un’ipotesi sulla sua origine.” Musica disciplina 54 (2009): 147–80.
 
PAVANELLO 2017
Pavanello, Agnese. “The Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context.” Journal of the Alamire Foundation 9, no. 1 (2017): 33–59.
 
PAVANELLO 2019A
Pavanello, Agnese. “Praying to Mary: Another Look at Gaspar van Weerbeke’s Marian Motetti Missales.” In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 339–80. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
PAVANELLO 2019B
Pavanello, Agnese. “A Flemish Venus in Milan: Gaspar van Weerbeke’s ‘Missa O Venus Bant.’” Early Music History 38 (2019): 107–39.
 
PLANCHART 2000
Planchart, Alejandro Enrique. “Masses on Plainsong Cantus Firmi.” In The Josquin Companion, edited by Richard Sherr, 89–150. Oxford: Oxford University Press, 2000.
 
PLANCHART 2018
Planchart, Alejandro Enrique. Guillaume Du Fay: The Life and Works. Cambridge: Cambridge University Press, 2018.
 
POPE – KANAZAWA 1978
Pope, Isabel, and Masakata Kanazawa. The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century. Oxford etc.: The Clarendon Press, 1978.
 
REYNOLDS 1981
Reynolds, Christopher. “The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory.” Early Music History 1 (1981): 257–304.
 
REYNOLDS 2003
Reynolds, Christopher. “Interpreting and Dating Josquin’s ‘Missa Hercules Dux Ferrariae.’” In Early Musical Borrowing, edited by Honey Meconi, 91–110. New York; London: Routledge, 2003.
 
RIFKIN 2003
Rifkin, Joshua. “Munich, Milan, and a Marian Motet: Dating Josquin’s ‘Ave Maria … virgo Serena.’” Journal of the American Musicological Society 56, no. 2 (2003): 239–350.
 
RIFKIN 2007
Rifkin, Joshua. “A Song Mass in Siena.” The Journal of Musicology 24, no. 4 (2007): 447–76.
 
RIFKIN 2019
Rifkin, Joshua. “Milan, Motet Cycles, Josquin; Further Thoughts on a Familiar Topic.” In Motet Cycles between Devotion and Liturgy, edited by Daniele V. Filippi and Agnese Pavanello, 221–336. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
RODIN 2012
Rodin, Jesse. Josquin’s Rome: Hearing and Composing in the Sistine Chapel. New York: Oxford University Press, 2012.
 
ROSSI 2019A
Rossi, Francesco Rocco. “Franchino Gaffurio compositore: Tra indagine stilistica e nuove conferme attributive.” In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 219–31. Studi e saggi 27. Lucca: Libreria Musicale Italiana (LIM), 2019.
 
ROSSI 2019B
Rossi, Francesco Rocco. «Surveying the First Gaffurius Codex: Reconsiderations on the “Motetti Missales” Paradigm». In Motet Cycles between Devotion and Liturgy, a cura di Daniele V. Filippi e Agnese Pavanello, 381–95. Schola Cantorum Basiliensis Scripta 7. Basel: Schwabe, 2019.
 
ROSSI 2019C
Rossi, Francesco Rocco. “Le pratiche mensurali nei quattro libroni di Gaffurio: una risorsa per possibili attribuzioni.” Studi musicali 10, no. 2 (2019): 155–92.
 
SCHMIDT 2019
Schmidt, Thomas. “The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print.” In Codici per Cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 171–86. Studi e Saggi 27. Lucca: Libreria Musicale Italiana (LIM), 2019.
 
SHERR 2001
Sherr, Richard. “Josquin’s Red Nose.” In Essays on Music and Culture in Honor of Herbert Kellman, edited by Barbara Haggh, 209–40. Paris: Minerve, 2001.
 
SHERR 2011
Sherr, Richard. “What Were They Thinking?: ‘Sola Caret Monstris’ at the Papal Court.” In Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois, bonne estrenne, edited by Fabrice Fitch and Jacobijn Kiel, 163–69. Studies in Medieval and Renaissance Music 11. Woodbridge: Boydell Press, 2011.
 
SHINE 1953
Shine, Josephine M. “The Motets of Jean Mouton.” Ph.D. diss., New York University, 1953.
 
SMIJERS 1940
Smijers, Albert. “Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te ’s-Hertogenbosch.” Tijdschrift der Vereeniging voor Noord-Nederlands Muziekgeschiedenis 16, no. 1 (1940): 1–30.
 
SNOW 1969
Snow, Robert J. “The Mass-Motet Cycle: A Mid-Fifteenth-Century Experiment.” In Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, edited by Gustave Reese and Robert J. Snow, 301–20. Pittsburgh (PA): University of Pittsburgh Press, 1969.
 
SPARKS 1975
Sparks, Edgar H. Cantus Firmus in Mass and Motet 1420-1520. New York: Da Capo Press, 1975.
 
STAEHELIN 1973
Staehelin, Martin. “Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 23, no. 2 (1973): 79–91.
 
STAEHELIN 1977
Staehelin, Martin. Die Messen Heinrich Isaacs. Vol. 28. Publicationen der Schweizerischen Musikforschende Gesellschaft - Publications de la Société suisse de musicologie 2. Bern, Stuttgart: Paul Haupt, 1977.
 
STEIB 1993
Steib, Murray. “Loyset Compère and His Recently Rediscovered ‘Missa De tous biens plaine.’” The Journal of Musicology 11, no. 4 (1993): 437–54.
 
STEIB 2014
Steib, Murray. “Herculean Labours: Johannes Martini and the Manuscript Modena, Biblioteca Estense, MS α.M.1.13.” Early Music History 33 (2014): 183–257.
 
TORELLI 2019
Torelli, Daniele. “Gli inni e il repertorio per l’ufficio nei Libroni gaffuriani.” In Codici per cantare: I Libroni del Duomo nella Milano sforzesca, edited by Daniele V. Filippi and Agnese Pavanello, 233–71. Studi e saggi 27. Lucca: Libreria Musicale Italiana (LIM), 2019.
 
WARD 1986
Ward, Lynn Halpern. “The ‘Motetti Missales’ Repertory Reconsidered.” Journal of the American Musicological Society 39, no. 3 (1986): 491–523.
 
WEGMAN 1987
Wegman, Rob C. “An Anonymous Twin of Johannes Ockeghem’s ‘Missa Quinti Toni’ in San Pietro B 80.” Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis 37 (1987): 25–48.
 

Librone 1: Brown, Howard Mayer, ed. Milan, Archivio Della Veneranda Fabbrica Del Duomo, Sezione Musicale, Librone 1 (Olim 2269). Renaissance Music in Facsimile 12a. New York; London: Garland, 1987.
 
Librone 2: Brown, Howard Mayer, ed. Milan, Archivio Della Veneranda Fabbrica Del Duomo, Sezione Musicale, Librone 2 (Olim 2268). Renaissance Music in Facsimile 12b. New York; London: Garland, 1987.
 
Librone 3: Brown, Howard Mayer, ed. Milan, Archivio Della Veneranda Fabbrica Del Duomo, Sezione Musicale, Librone 3 (Olim 2267). Renaissance Music in Facsimile 12c. New York; London: Garland, 1987. 
 
Librone [4]: Ciceri, Angelo, and Luciano Migliavacca, eds. Liber capelle ecclesie maioris: Quarto codice di Gaffurio. Archivium Musices Metropolitanum Mediolanense 16. Milano: Veneranda Fabbrica del Duomo di Milano, 1968.
 

AMMM – Archivium Musices Metropolitanum Mediolanense
 
1: Gaffurio, Franchino. Messe. Edited by Amerigo Bortone. Milano: Veneranda Fabbrica del Duomo di Milano, 1958.
 
2: Gaffurio, Franchino. Messe. Edited by Amerigo Bortone. Milano: Veneranda Fabbrica del Duomo di Milano, 1959.
 
3: Gaffurio, Franchino. Messe. Edited by Amerigo Bortone. Milano: Veneranda Fabbrica del Duomo di Milano, 1960.
 
4: Gaffurio, Franchino. Magnificat. Edited by Fabio Fano. Milano: Veneranda Fabbrica del Duomo di Milano, 1959.
 
5: Gaffurio, Franchino. Mottetti. Edited by Luciano Migliavacca. Milano: Veneranda Fabbrica del Duomo di Milano, 1959.
 
6: Anonimi. Messe. Edited by Fabio Fano. Milano: Veneranda Fabbrica del Duomo di Milano, 1966.
 
7:  Anonimi. Magnificat. Edited by Fabio Fano. Milano: Veneranda Fabbrica del Duomo di Milano, 1965.
 
9: Anonimi. Mottetti. Edited by Luciano Migliavacca. Milano: Veneranda Fabbrica del Duomo di Milano, 1961.
 
10: Isaac, Heinrich. Messe. Edited by Fabio Fano. Milano: Veneranda Fabrica del Duomo di Milano, 1962.
 
11: Weerbeke, Gaspar van. Messe e Mottetti. Edited by Giampiero Tintori. Milano: Veneranda Fabrica del Duomo di Milano, 1963.
 
12: Martini, Johannes. Magnificat e Messe. Edited by Benvenuto Disertori. Milano: Veneranda da Fabbrica del Duomo di Milano, 1964.
 
13: Compère, Loyset. Messe, Magnificat e Motetti. Edited by Dino Faggion. Milano: Veneranda Fabbrica del Duomo di Milano, 1968.
 
15: Josquin des Pres e vari. Messe, Magnificat, Mottetto e Inno. Edited by Amerigo Bortone. Milano: Veneranda Fabbrica del Duomo di Milano, 1969.
 
CMM: Corpus Mensurabilis Musicae
 
1.5:  Dufay, Guillame. Opera omnia: Compositiones liturgicae minores. Edited by Heinrich Besseler. Vol. 5. Corpus Mensurabilis Musicae 1. Roma: American Institute of Musicology, 1966.
 
5.1: Brumel, Antoine. Opera omnia:  Missae Je nay dueul, Berzerette savoyenne, Ut re mi fa sol, L’Homme arme, Victimae paschali. Edited by Barton Hudson. Vol. 1. Corpus Mensurabilis Musicae 5. [s.l.]: American Institute of Musicology, 1969.
 
5.2: Brumel, Antoine. Opera omnia: Missa Bon temps, Missa dominicalis, Missa Descendi in hortum, Missa sine nomine. Edited by Barton Hudson. Vol. 2. Corpus Mensurabilis Musicae 5. [s.l.]: American Institute of Musicology, 1970.
 
5.4:  Brumel, Antoine. Opera omnia: Missa de beata Virgine, Missa de Dringhs, Missa A l’ombre d’ung buissonet, Missa pro defunctis, Mass Sections. Edited by Barton Hudson. Vol. 4. Corpus Mensurabilis Musicae 5. [s.l.]: American Institute of Musicology, 1970.
 
10.1: Gafurius, Franchinus. Collected Musical Works [Missa de Carnival, Missa sexti toni irregularis]. Edited by Ludwig Finscher. Vol. 1. Corpus Mensurabilis Musicae 10. Roma: American Institute of Musicology, 1955.
 
10.2: Gafurius, Franchinus. Collected Musical Works [Kyrie et Agnus Dei ad Missam sexti toni irregularis, Missa (in Nat. D.N.J.C.) Omnipotens genitor, Missa sanctae Catherinae V. et M. quarti toni, Missa de tous biens pleine, Missa de O clara luce, Missa (sine nomine), Missa brevis primi toni]. Edited by Ludwig Finscher. Vol. 2. Corpus Mensurabilis Musicae 10. Roma: American Institute of Musicology, 1960.
 
15.1: Compère, Loyset. Opera omnia [Missa L’Homme armé, Missa Alles regrets, Missa brevis sine nomine, Credo sine nomine, Credo Mon père, Mon père m’a donné mari]. Edited by Ludwig Finscher. Vol. 1. Corpus Mensurabilis Musicae 15. [s.l.]: American Institute of Musicology, 1958.
 
15.2: Compère, Loyset. Opera omnia [Three Motet Cycles]. Edited by Ludwig Finscher. Vol. 2. Corpus Mensurabilis Musicae 15. [s.l.]: American Institute of Musicology, 1959.
 
15.3: Compère, Loyset. Opera omnia [Four Tenor Motets, Four Magnificats, and Two Esurientes]. Edited by Ludwig Finscher. Vol. 3. Corpus Mensurabilis Musicae 15. [s.l.]: American Institute of Musicology, 1959.
 
15.4: Compère, Loyset. Opera omnia [Motets]. Edited by Ludwig Finscher. Vol. 4. Corpus Mensurabilis Musicae 15. [s.l.]: American Institute of Musicology, 1961.
 
18: Tinctoris, Johannes. Opera omnia. Edited by William Melin. Corpus Mensurabilis Musicae 18. [s.l.]: American Institute of Musicology, 1976.
 
22.2: Agricola, Alexander. Opera omnia: Missae, Fragmenta missarum. Edited by Edward R. Lerner. Vol. 2. Corpus Mensurabilis Musicae 22. [s.l.]: American Institute of Musicology, 1963.
 
32.2: D’Accone, Frank, ed. Music of the Florentine Renaissance: Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and Three Anonymous Works. Vol. 2. Corpus Mensurabilis Musicae 32. [s.l.]: American Institute of Musicology, 1967.
 
41: Pullois, Jean. Opera omnia. Edited by Peter Gülke. Corpus Mensurabilis Musicae 41. [s.l.]: American Institute of Musicology, 1967.
 
65.6: Isaac, Heinrich. Opera omnia [Four-Voice Masses I]. Edited by Edward R. Lerner. Vol. 6. Corpus Mensurabilis Musicae 65. Neuhausen; Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1984.
 
65.7: Isaac, Heinrich. Opera omnia [Four-voice Masses II]. Edited by Edward R. Lerner. Vol. 7. Corpus Mensurabilis Musicae 65. Neuhausen; Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1984.
 
65.8: Isaac, Heinrich. Opera omnia [Four- and six-voice Masses. Edited by Edward R. Lerner. Vol. 8. Corpus Mensurabilis Musicae 65. Neuhausen; Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1998.
 
90.1: Prioris, Johannes. Opera omnia [Masses]. Edited by Herman Keahey. Vol. 1. Corpus Mensurabilis Musicae 90. Neuhausen; Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1982.
 
106.1: Weerbeke, Gaspar van. Collected Works: Masses. Edited by Agnese Pavanello. Vol. 1. Corpus Mensurabilis Musicae 106. [s.l.]: American Institute of Musicology, 2016.
 
106.3: Weerbeke, Gaspar van. Collected Works: The Motet Cycles. Edited by Andrea Lindmayr-Brandl. Vol. 3. Corpus Mensurabilis Musicae 106. [s.l.]: American Institute of Musicology; Hänssler-Verlag, 1998.
 
106.4: Weerbeke, Gaspar van. Collected Works: Motets. Edited by Agnese Pavanello. Vol. 4. Corpus Mensurabilis Musicae 106. [s.l.]: American Institute of Musicology, 2010.
 
EdM - Das Erbe deutscher Musik
32-34: Gerber, Rudolf, ed. Der Mensuralkodex des Nikolaus Apel: MS 1494 der Universitätsbibliothek Leipzig. Kassel: Bärenreiter, 1956-1975.
 
72-73: Kindermann, Jürgen, ed. Annaberger Chorbuch: Sächsische Landesbibliothek, Mus. 1-D-505 (Ms. 1248). Wiesbaden: Breitkopf & Härtel, 2017.
 
76-78: Just, Martin, ed. Der Kodex Berlin 40021: Staatsbibliothek Preussischer Kulturbesitz Berlin Mus. ms. 40021. Kassel: Bärenreiter, 1990-1991.
 
80-83: Noblitt, Thomas L., ed. Der Kodex des Magister Nicolaus Leopold: Staatsbibliothek München Mus ms. 3154. Das Erbe deutscher Musik 80–83. Kassel: Bärenreiter, 1987-1996.
 
JW - Werken van Josquin des Près, uitgegeven door A. Smijers
46:  Josquin Des Prés. Motetten. Bundel xx. Werken van Josquin des Près 46. Amsterdam: [G. Alsbach], 1957.
 
55: Antonowycz, Myroslaw, and Willem Elders, eds. Supplement. Werken van Josquin Des Près 55. Amsterdam, 1969.
 
MMR - Masters and Monuments of the Renaissance
 
5.2: Busnoys, Antoine. Collected Works ,  Part 2 :  The Latin-Texted Works: Music. Edited by Richard Taruskin. Vol. 2. Masters and Monuments of the Renaissance 5. New York: The Broude Trust, 1990.
 
5.3: Busnoys, Antoine. Collected Works ,  Part 3 :  The Latin-Texted Works: Commentary. Edited by Richard Taruskin. Vol. 3. Masters and Monuments of the Renaissance 5. New York: The Broude Trust, 1990.
 
NJE – New Josquin Edition
Each volume includes the tomes of the edition and that of the Critical Commentary, indicated with [CC].
 
3: Masses Based on Gregorian Chants , 1. Edited by Willem Elders. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2003.
 
6: Masses Based on Secular Monophonic Songs, 2. Edited by Jesse Rodin. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2014.
 
11: Masses Based on Solmisation Themes. Edited by James Haar and Lewis Lockwood. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2002.
 
22: Motets on Non-Biblical Texts,  2 :  De domino Jesu Christo. Edited by Bonnie J. Blackburn. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2003.
 
23: Motets on Non-Biblical Texts,  3 :  De beata Maria virgine. Edited by Willem Elders. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2006.
 
25: Motets on Non-Biblical Texts, 5 :  De beata Maria virgine. Edited by Willem Elders. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2009.
 
26: Motets on texts Pro diversis temporibus et festis and on miscellaneous texts. Edited by Ton Braas. Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2012.
 
RRMMA – Recent Researches in the Music of the Middle Ages and Early Renaissance
 

34: Martini, Johannes. Masses without Known Polyphonic Models. Edited by Elaine Moohan. Madison (WI): A-R Editions, 1999.

35: Martini, Johannes. Masses with Known Polyphonic Models. Edited by Elaine Moohan. Madison (WI): A-R Editions, 1999.

39: Martini, Johannes, and Johannes Brebis. Sacred Music, Part 1: Hymns, Magnificats, Motets, and Passions. Edited by Murray Steib. Middleton (WI): A-R Editions, 2009.
 
SCM – Sixteenth-Century Motet
 
2: Sherr, Richard, ed. Selections from Motetti C: Venice, 1504. The Petrucci Motet Anthologies 2. New York [etc.]: Garland, 1991.
 
3: Sherr, Richard, ed. Selections from Motetti Libro quarto: Venice, 1505. The Petrucci Motet Anthologies 3. New York [etc.]: Garland, 1991.
 
TORCHI 1897
Torchi, Luigi, ed. L’arte musicale in Italia , volume primo : Composizioni sacre e profane a più voci, secolo XVI. Milano Roma Napoli [etc.]: Ricordi, 1897.